Saturday, May 30, 2020

How I write a book

I thought I'd give an overview of how I write a book. Like any creative pursuit, there's no right way or wrong way. There's the way that works for you. Or me.

This is mine.

How it starts

I get an idea. It could be completely random, or inspired by something I've read. With Songbird, I read in a bio of Henry VIII that he once bought a child for the royal choir, and off I went. With my current project, A Wider World, it features a secondary character from Songbird, who, after that book was submitted to the publisher, decided to speak up and say he hadn't gotten a fair shake, and he wanted to explain himself. I listened.

Below is how I went about writing A Wider World. The numbers in parentheses are the word count when the draft was completed.

First Draft (134,000 words)

Some writers can write and edit at the same time, or write something, come back the next day to edit, and then keep on. My problem is that I enjoy the editing process, so I get lost if I do this. My first drafts, while not garbage, are pretty rough. For the most part, I don't write in linear fashion. I try to write the beginning, at least the first few chapters, to establish my characters and what's happening. (The events may change later, but I need to get them down).

From there, I try to write in order, but if I'm stuck and can see another scene clearly, I'll write that and then try to link the scenes together later. By the time I've written the first third of the book, I know the ending. If I'm feeling really clear, I'll write the ending, and give myself something to work toward.

The first draft of A Wider World took me about 8 months, and part of the reason it went that quickly is I was working with a world already developed in the first book. I needed to research specific things, but I don't always research as I write. There'll be a sentence like "Hawkins and I sat down to a meal of [whatever people of that level of society would serve unexpected guests]" and I'll keep going.

Second Draft (128,000 words)

This is the fun part, where I fix the structure of the book - plot, chronology, cross-checking history, fleshing out characters who are a bit transparent, doing research to fill the holes I've left. Second draft is heavy lifting and rearranging, but by the end, it gives me something that has the shape of the idea I had when I started out. This draft took me about 1.5 months.

Third Draft (120,000 words)

Cutting, shaping, and molding. This is the round where the book loses some serious weight, where I read it to see how many times I've mentioned the same thing (the problem with writing out of order is including necessary information whenever it seems necessary - but it's not necessary every time. I just won't know that until later). I also remove excess dialog tags, filter words (knew, realized, felt, etc.) and other bits that, while clever, only make me happy and do nothing to advance the story.

Another thing I've noticed with early drafts is that I hit the end of a scene or a chapter, and then I tend to dribble on for another paragraph or two, summing up. Those paragraphs are never necessary, and I can remove a lot of excess just looking for those. This draft took about another month.

Fourth Draft (hoping for 118,000 words)

This is where I am now, and this is where I read the book aloud, to see how it flows, to listen for repetitive words or words that need to be swapped for ones that sound better. This is a faster round than any of the others, because it's really just the final polishing before it gets submitted to my publisher for their editors to give it a once-over. I'm hoping to have this finished by early June, but my reading aloud may be slowed by the fact that lawn care on my block seems to be near-constant and I can't always hear myself think, much less read.

With Songbird, the publisher's suggestions were mostly about removing Britishisms and comments on my abiding love for the em-dash, but we'll see this time, because Songbird had been worked on for so long that if it was my child, it would be accruing student debt. A Wider World has been a much faster process, because I've learned that I can do it.

So that's it. That's how I write a book. At least until next time, when I'll probably turn the procedure completely upside-down.

Monday, May 18, 2020

Pandemicrafting

From talking to friends and keeping up with others on social media, I've noticed that our current situation (quarantine, lockdown, or whatever you want to call it) has either stopped creativity in its tracks or it's hit the accelerator. For me, that's definitely been the case.

I've been writing a ton, deep into the third draft of my next Tudor book, and I recently made a 4' x 4' quilt for the loveseat where I sit and do a lot of my reading and writing.

Let me say up front, I've never been a quilter. And while this turned out well, and I'm really proud of it, I doubt I'll ever make another one. It's a Log Cabin quilt, obviously, and my favorite part is that all the front fabrics are secondhand, and locally sourced (sidewalk sale, town thrift store, donation from a neighbor). The batting was on hand for microwave bowls, but I don't need to make any more of those right now becase there are no craft shows for me to sell them. I did splurge and buy 1.5 yards of backing fabric, but I'm using the remnants from that in another project, so it's all good, and no waste.

This is the first patchwork project I've attempted where I followed a plan and actually tried to be precise. And it more or less worked. There are a few blocks that don't line up perfectly, but good enough is good enough. The perfect, as they say, is the enemy of the damn thing ever getting finished. (My last quilted project, a much simpler effort that is on our bed, took me 17 years because I messed up and shoved it in a bag until I got over being mad at it).

This, with waiting for the backing fabric to arrive , and crawling around on the living room floor sticking it together with far too many safety pins, took about 2 weeks. The quilting is all done by machine, because I will never be that dedicated to handwork, especially of the kind I can't see. The binding was hand sewn down on the back because that seemed easier than trying to line it up perfectly and run it through the machine.

Another reason this is my first and last quilt: anything bigger would not fit comfortably in either my sewing machine or my workroom. I caused several avalanches by trying to maneuver far too much fabric in a cramped space. Bad enough I have to clean up the scraps and thread tails I leave everywhere; having to excavate the floor after knocking over a stash pile is not the workroom fun I had in mind.

So here it is, PandemiQuilt 2020. Just in time to not want to curl up under it and read. Next year, quilt. Next year.

Wednesday, May 13, 2020

This will never get old

Book reviews are important, as I've said before, and I'm happy with every one I get - even the funky Goodreads review that called the second half of Songbird "tedious melodrama." (She still gave it three stars, so...)

But this morning I woke up to a review from the Discovering Diamonds book review blog, and this one - well, cue the music for my happy dance!

It's such a wonderful feeling to get a positive review from readers who "get" the book, and it's a huge compliment to me, as a writer of historical fiction, when they say "what I enjoyed was how those difficulties were based on problems which arose from the historical setting. No one here steps out of their period, even for a second. Their attitudes and their circumstances are very 'Tudor', but within that, of course, there is scope for people to behave in very different ways."

You can read the full review here, if you're so inclined. I might see you there - I've already gone back and read it twice. This is a feeling I hope never gets old.