Showing posts with label FabulousFashionFriday. Show all posts
Showing posts with label FabulousFashionFriday. Show all posts

Friday, March 3, 2023

Fabulous Fashion Friday #5

This snippet is from From This Day Forward, the prequel novella to the Ava & Claire series, available only as a signup bonus for my newsletter. You can find it here. To explain the difference in style, this was a 1918 wartime wedding.

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Claire is calm this morning, as calm as a girl can be when her entire life is about to change. I’m glad the strange nervousness that kept her wakeful last night has faded. I wanted to stay up and talk, but the rare combination of silence and a soft mattress was irresistible, and I did not wake until nearly six.

Mama was already washed and dressed, sitting by the window. Her hair was still in its braid, and I got up to brush it for her. “Should I do something different?”

Her brows knit together. “Whatever for?”

I brush and twist and pin, and soon she is the mother I have always known, with a tight knot at her nape and a tatted collar around the neck of her new dress.

She talks to Claire while I wash. I emerge in my corset cover and petticoat, not wanting to wrestle myself into my new dress in the bathroom.

“Let me.” Claire drops it over my head and does up the buttons, smoothing the green fabric over my hips and straightening the high collar. “You look beautiful.”

“Look who’s talking.” My gaze sweeps over her gown, hung now on the outside of the wardrobe, waiting for her to put it on. The heavy ivory satin is like nothing I’ve ever touched, and the clever bodice, wrapping over a front panel of beaded lace to join with the hip sash, is a marvel of construction. The skirt is straight, with an asymmetric overskirt and a short train.

It is simple and elegant, not at all what I would have expected from Claire, who never met a ruffle she didn’t like. 



Friday, February 24, 2023

Fabulous Fashion Friday #4

Another snippet from Coming Closer, from later in the book. Claire decides that her sister needs a little something pretty and Ava, proud as always, wants to refuse but is unable to once she gets her hands on a pre-war Japanese embroidered kimono which Claire got in Paris after her honeymoon.

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     It’s a robe... no, a kimono. The word floats into my mind. I didn’t even know that I knew what a kimono looked like, but this is certainly one. “It’s beautiful,” I say inadequately.

     It is a pale, dusty pink, a color once called ashes of roses. I don’t know if that’s the right name now. Without thinking, I rub the fabric between my fingertips, judging. Silk crepe, the best quality I’ve ever felt. 

     Flowers spill over the shoulders and down the open front of the kimono, with pale tendrils ending just above the hem. The inside is a darker pink, making me think again of roses, though that’s not what these flowers are.

     “Cherry blossoms,” Claire days, reading my mind. “It’s Japanese.”

     “I thought you said it was French?” I take the kimono from her, spread it across my lap. It is simultaneously weightless and substantial. The embroidery is heavier on the back, pink-and-white flowers massed across the shoulders, interspersed with vivid green leaves. The silk thread has texture under my fingers. The flowers are so lifelike I almost expect them to have a fragrance.

     “We bought it in Paris,” she says patiently. “It’s from Japan. Stand up, let’s try it on.”

     “It’s too nice—” I try to fight her off but I’m afraid she will damage the kimono in her enthusiasm to dress me up. “Fine.”

     Putting it on, I look at myself in the triple mirror I normally avoid. The dampness outside has loosened my hair, and it falls in waves to my chin. My cheeks are flushed, my eyes bright. But for the telltale tightness around my mouth, I am almost unrecognizable.

     “I can’t wear this.” I slip it off regretfully, trying not to think about how it felt. How I looked.

     Claire bundles it up and thrusts it into my hands. “You have to.” She reaches into the box and throws the sash—pink on one side, green on the other—on top of the pile. “If you don’t take it, I’ll put it in the rubbish.”

     “You wouldn’t.” In spite of myself, I clutch it to my chest.

     “I would, Ava, and I will.” Claire laughs delightedly. “Now, will you take it?”

     It is the most beautiful thing I have ever touched, and I want it so badly I can barely breathe. I think of the skill and the hours devoted to the embroidery of all those blossoms, the many thousands of miles it has traveled to reach my hands; I can’t let her destroy it, and she would, just to prove her point. 

     “Fine,” I mutter. “I’ll take it.”


Friday, February 17, 2023

Fabulous Fashion Friday #3

This week we have a snippet from Coming Apart, After Ava visited Claire in Philadelphia and made a dress for her.

The dress pictured here was the jumping off point for Ava's creation, but in navy blue bias-cut satin.

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It is the first of August before I am brave enough to wear the dress Ava made for me. I haven’t even tried it on; what I saw in the mirror during the final fitting surprised and disturbed me enough that I put it in the back of the closet. But this is a special evening, and Prue Foster will be there, which makes me feel a bit braver.

For someone so buttoned up herself, Ava has created a dress far more daring than anything I have ever worn. The navy satin is staid enough, but stitched on the bias, it flows over my curves like paint. It is cut nearly to the small of my back, but in the front, a simple drape at the neck offers only a shadow of cleavage.

I look at myself in the three-way mirror, trying to decide if it will cause a scandal.

“My God.” Already in his tuxedo, Harry stands in the doorway. He takes off his glasses and peers at me.

A blush climbs from the drape all the way to my hairline. “Is it too much?”

He gives a tiny, stunned shake of his head. “You look amazing.”

“Ava made it when she was here.” I turn in a small circle. “I haven’t had the nerve before now.”

“She should visit more often.” Harry slides a hand down my satin hip. “I don’t know if I want to show you off or keep you to myself.”

I smile at him. “You lucky man, you get to do both.”


Friday, February 10, 2023

Fabulous Fashion Friday #2

Another snippet from Coming Closer, this one from the very opening scene of the book. Because who doesn't love vintage undies?

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I rummage through Claire’s underwear drawer, sorting by fabric even as I catalog the delicious colors: ice blue, orchid, butter yellow, ivory. A shocking black georgette slip with insets of handmade lace. One piece step-ins of peach satin with tiny bows at the straps. Bandeau brassieres in ballet pink crepe de chine with matching pants.

Pulling out a long, bias-cut slip in smoky lilac, I hold it against me, careful not to let my roughened fingertips catch on the satin. “Good lord, this is too pretty to cover with clothes.”

“It’s a negligee,” she says, ducking her head. “There’s a matching peignoir in the closet. With ostrich feather trim. Do you want to see it?”

“No.” I shake my head. “But something that lovely deserves to be seen.”

“Well, it is.” Claire’s color deepens. “It’s one of Harry’s favorites.”

It is my turn to blush. “I feel older and thicker by the moment.” I fold the gown and put it back with the rainbow of shining fabrics. “But I asked for it. If I’m going to sew for these women, I need to know what they wear under their clothes.”






Friday, February 3, 2023

Fabulous Fashion Friday #1


Coming Closer (Ava & Claire Book #2) has a lot of sewing and 1930s fashion in it - two of my favorite things. 

In honor of my favorite fictional sisters, I'm starting a series of #FabulousFashionFriday posts on Facebook and Instagram to share some of the photos I've accumulated while researching this book, along with snippets, if there is one that applies. 

Obviously I'm sharing here as well, because, well, 1930s fashion? Is that enough reason?

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 The sort of dress I would normally make for Claire—bias cut and sinuous, to counteract her primness—would garner the wrong reaction in such a crowd. My sister must look like the what she is, the beautiful wife of a prominent businessman, and her figure, while unavoidable, should not be on blatant display. 

But fashion leans toward the form-fitting. I spend the rest of my work day thinking about it, making bad drawings, and finally haul myself out to the drugstore to surreptitiously look at movie magazines for inspiration. And I find it, in an issue of Silver Screen—a profile of Joan Crawford, illustrated with photographs from several of her pictures, including Letty Lynton, where she is clad in a gown that seems equal parts ruffles and attitude.