We had a night out this past week - Six was playing at Philadelphia at the Academy of Music and we treated ourselves to tickets. They weren't "Broadway" expensive, which is always good for the budget, but they were worth every cent. And the Academy is one of my favorite venues and will appear in the third of my 1930s books, so I looked around and took notes while I was there.
I wasn't sure how I'd feel about it, actually - since I've been steeped in Tudor history since I was a kid - but I enjoyed every bit of it. Like Hamilton, it's bound to get new people interested in that period of history, and also like Hamilton, it's full of catchy songs that I'm still humming a few days later.
From the first note, the lights and costumes and sheer energy of the show made me smile. I wasn't sure about my husband - he's very tolerant and actually well-versed in Tudor history these days - but going by the audience, this was going to be an absolute estrogen-fest. Groups of girlfriends, mothers and daughters, much squealing and shrieking.
It was fabulous. (And husband survived quite nicely).
It does make me wonder how the wives would feel about being remembered in such a way. Honored? Annoyed? Confused, definitely. They might not understand what a musical was, they definitely wouldn't understand this musical as "music" as it was defined in their day, and they might be offended at some of the portrayals (though they were definitely based on well-known facts, just well-known facts might not be quite factual for some of these ladies).
But still.. almost five hundred years later, they're remembered. And as one of the key questions goes near the end of the show, are they remembered simply because they shared a husband? Or is their husband remembered because of them?
Post a Comment