Showing posts with label ava and claire. Show all posts
Showing posts with label ava and claire. Show all posts

Wednesday, February 18, 2026

Reviews are in

Forgive me for blowing my own horn a bit. There's nothing else going on - it's still cold, the snow hasn't melted, I'm climbing the walls - so this is what I've got for you this week 

Shifting Stages has been out since January 31. Somehow, it already has 46 ratings. Most of those are ratings, not reviews, because most people just hit the star rating when they finish the book, but I'm at a 4.7 average, so I'm not complaining. 

On the other hand, four people did leave written reviews, and I appreciate every one of them.

I'll share those today and try harder next week. How is it in your neck of the woods? Are you still in hibernation mode? 

And when you read a book, do you drop a review or a star rating? Before I published, I was hit or miss, but I'm much better about it now that I know how important it is.







Wednesday, February 5, 2025

Birth of a cover


First of all, here it is - the glorious cover of my next book, French Lessons!

I love it so much. (I know, I always say that - but I always love them. Just this one a bit more so).

The covers for the Ava & Claire books were done by a different designer, who's doing so well with her fiction now that she doesn't have to do cover design to make ends meet. We should all be so lucky, but then again, all she was was persistent and talented. I can do that.

I sent my new designer (the one who did the Tudor Court revamp) the covers for Coming Apart, Coming Closer, and Coming Together, along with a vintage photo to use in the new cover. I told her to keep the scrapbook-with-elements concept of the previous covers, but to put her spin on it. While I like the script font on the old covers, I wasn't against changing fonts, but I wanted something handwriting-esque, because there are a lot of letters in the books.

Here were some of my notes from the cover brief: Women’s historical fiction. Emotional, feminine. Set in Paris, so French, if that’s a feeling. Paris, 1946-47. Pearl is a 25-year-old girl who finally takes her dream trip to Paris to become a writer. She’s had to wait out the long years of WWII and she’s finally there. But she’s left her family behind, feels somewhat lost, and Paris seems to have plans for her (love) that aren’t what she wants. Not sure how you want to take the cover-with-ephemera idea, but for this book – French newspapers, letters, home, lilacs, vintage postcards of Paris.

She hit it out of the freaking park on the first draft.

I stared at it for a day, thinking that if I had to, I could absolutely upload it to Amazon and not be ashamed to sell a book wrapped in it. Then I decided what few things needed changing (the type of flower), removing the watch, swapping the keys into that spot so it didn't look as crowded, and let her know, in words and with drawn-on suggestions.

She gave me back two options with slight differences in flower/color, and one of them was almost exactly it. I gave her brief notes about version 3 (spacing at top left corner, mostly, and adding the tag line that I'd forgotten) and we were done.

It took less than 4 days, and included stretches of time with no contact because she's in a very different time zone and our waking hours don't cross for long.


Wednesday, July 31, 2024

Next...


The books are in charge. I know that now, and most of the time I accept it.

I thought I might be writing another Tudor book next, or maybe the more contemporary book that's been in my head for ages, but no. It's Pearl's turn.

Pearl is the eldest daughter of Ava Kimber, the main character in my 1930s series. In Coming Together, she is thwarted by youth and her mother and prevented from going to Paris for a year with her aunt. But now it's her turn. It's 1946, the war is over, and she's off to fulfill her dreams.

This is the blurb I have so far:

A city on its knees. A young woman with a dream.

All her life, Pearl Kimber has yearned to live in Paris and write. With the long years of WWII over at last, she’s traded the familiar for the intoxicating allure of the City of Light. She has twelve months to make her dreams come true. Nothing can get in her way - not even love. 

But as she wanders the streets of a city still torn by conflict, Pearl discovers a new Paris—a city of hope and endless possibility. As she falls deeper in love with the city and its people, she’ll uncover a story as captivating as the city itself, a story only she can tell.

Will Paris be the muse she’s always sought, or will the weight of the past be too heavy to bear?

It's only about 1/4 of the way done, but optimist that I am, I've put it up for pre-order for my birthday, January 31, 2025 (past the dumpster fire of election season and the recovery we will all deserve once it's over - I'm not guaranteeing how much brain I will have during that period, so January seemed safe).

Wednesday, November 1, 2023

Meet Ava & Claire


So Coming Together launched into the world this time last week, and I'm blown away by the response. Thank you all so much for your purchases, for your comments and reviews and reactions. 

Since I'm not capable of much yet, I thought I'd share something I've been playing with. Recently, my computer updated and gave me Dall-E for AI image generation. I wasn't going to try it but I was so mentally exhausted from book launch activities that I gave it a try.

My prompt was: "Please make a b/w photo of two women in their mid-30s, dressed in clothing from the 1930s. They are obviously sisters. Woman on left is taller, slightly thinner, prettier, with light blonde hair. Wearing a v-neck dress & pearls. One on right is shorter, light brown hair, not as pretty, not as well-dressed but not shabby. Both women have pleasant expressions and are obviously close."

Everyone, meet AI Ava and Claire. I'm not sure what to think. It's a bit glam for Ava (and there's not enough of their Irish mother in these faces) but the result is still so much better than I expected. I may continue to play with this as I reassemble my brain and start work on what's next.

Wednesday, October 18, 2023

Today's the day!

Coming Together is officially out in the world, and I'm so happy and excited and exhausted and proud to bring you this last book of Ava & Claire's adventures. A few early reviews are in, and I'm going to share them with you and then go and collapse in a corner. 






Wednesday, May 3, 2023

Artificial Intelligence

 

My color-coordinated child
Have you heard about ChatGPT or the other artificial intelligence programs out there? They've been in the news because there's a lot of fear that AI will replace real creatives and there will be no market for writers or artists anymore, it will just be people pushing buttons and spewing out whole books or pieces of art, and trying to pass them off to an unsuspecting public. 

I'm sure there will be people who will try to do that, but I think finding an audience won't be as easy as learning how to work with the AI. It may be different for art, because visuals are used differently, but I honestly wouldn't understand why a writer would use it to write books. Writing is the part that I enjoy. If someone comes up with a gadget to do the parts I don't enjoy or am not good at, I'll jump on that train.

Which is what I've cautiously done with ChatGPT. I was suspicious at first, but several writers I know, and at least one trustworthy podcast, are very pro 'AI in its place.' 

That means different things for different people. I tried to use it to rewrite my book blurbs, and it worked fairly well, because that's a structure it understands. Certain facts have to be tweaked, because it doesn't understand my book, but it gives me something to work with. 

Where I've really found it interesting is as an unpaid research assistant. I'm working on the third book in my Ava & Claire series, and part of it is set in Paris in 1935. I love Paris. I know Paris relatively well, but I'm not a time traveler, and there are certain things I was not able to find easily with online research.

So I asked ChatGPT. And it gave me what I needed, in seconds. And because several people have told me that they've been given wrong answers to research questions, I've taken to asking it to prove its work - to give me a link or a book title where I could find the information to back up their answer. Obviously if those links or books are out there, I could have found the information on my own, but it would have taken a lot longer - and that's time I don't want to spend for something that is only going to be one sentence of a book. It's much faster to follow the link given to me, confirm that the information is correct, write the sentence, and go on to the next thing. 

That's a research rabbit hole I could have fallen into for hours. So I see a purpose for artificial intelligence in writing, just not to do the actual writing. When writing stops being fun, I'll stop doing it.

And if you're curious, I asked ChatGPT to write a cautiously optimistic blog post about its use as a writer's assistant. My prompt, and its response, are below. It's not bad; it just doesn't sound like me.



Wednesday, November 2, 2022

Aren't they pretty?

I got my author copies from Amazon a day or two after the book launch, and I fully admit that I tore into that box before I thought to set up my phone to take a video. 

Oops. Author excitement is real, folks.

I've got more than a few craft shows coming up heading into the holidays, and I've learned that while they aren't the best venue to sell books, books do sell at craft shows. People are interested to see what else the maker makes, and it's always an interesting conversation.

In addition to a cover that I'm absolutely in love with, I designed bookmarks for Coming Apart (actually for the eventual whole series) that incorporate the three family photos used on the series covers.

All this to say that paperback copies of Coming Apart are available through this website for $16.99, which includes postage, autograph (if you want one), and one of my handy-dandy bookmarks. Please leave a comment here or email me at karen . heenan @ gmail.com (without the spaces, obviously).

I look forward to sharing Ava and Clarie with you.

 

Wednesday, August 17, 2022

It's almost here!

The pre-order, that is. Not the book.

For those who haven't read From this Day Forward yet, for whatever reason - time, fear-of-mailing-list spam (I promise, after the first few signup confirmation emails, it's once-a-month and special occasion only), I offer this final inducement.

This is the beginning of the sisters' story, told from Ava's point of view. Claire gets her own shot at telling the tale later on.

***

Scranton is no more than ten miles from Scovill Run, but it is a different world from the filthy coal town that has been my home—and my sister’s—for our entire lives.

But no longer. Claire left home almost a year ago to take a job in Scranton, and if I’d been honest with myself, I would have admitted that I knew she was never coming back even then. She had always wanted to escape and now she’s managed it. Harry Warriner will be able to give her all the things she’s never had and always wanted.

“You understand, don’t you?” she’d asked, last time she came home. “He can give me so much.”

“What do you need?” Claire had always pined for the things girls like us had no business knowing about, much less wanting.

“Well, things...” She chewed her lip, her pretty face all puckered with worry that I didn’t understand. “Don’t be like that, Ava. It’s different for you. You have Daniel.”

She was right. I did have Daniel—or I would, when the war ended and the army sent him home from France. I’d always had Daniel, but he would never give me the kind of things Harry could give Claire before their first anniversary.

Miners didn’t spend money on gifts for their wives, no matter how much they loved them. If they had any left over by the time the bills were paid, it was put aside for hard times: leaky roofs, unexpected shutdowns, doctor bills. Kids.

As we rumble along roads that have never seen such an elegant vehicle, I think of my perfect baby boy, who does not know his father. My husband has never seen his son because I can’t afford to have a photograph taken, not when the only earner in the family is overseas and it’s just me and Mama, sewing and cleaning and taking in laundry until he returns.

Daniel’s army pay is all right, but I would rather have my man at my side, particularly when Mama and I get out of this big car and have to pretend we know how to be with people like Harry Warriner’s family. Rich people who think nothing of sending a car to pick up the bride’s mother and sister from their falling-down house.

I don’t know how Mama feels. She sits beside me on the plush seat, her knotted hands folded on her knee, nodding gently in time to music only she can hear. Claire wasn’t her favorite—Mama never played favorites—but as the youngest, my sister had privileges the rest of us never had. Getting to finish school, for example. I would have liked to have gone to high school, but that was the year our father died and Mama needed my help.

By the time Claire turned fourteen, things were a little better. There was never any question that she wouldn’t go to the high school in the next town over, and then try to make something of herself.

“I always knew she was destined for more. She’ll end up fine, you watch.” Her voice bears a hint of a lilt, forty years after she left Galway.

“Do you think it will change her?” I ask.

 “Of course, it will.” Mama turns to me. “But that’s what she’s always wanted, to be someone else.”

I nod and resume my silence, but her words irk me. I never had the opportunity to be anyone else. Certainly, no one ever asked if I wanted to be more than a miner’s wife, constantly worried about money, about my children, about whether or not my husband would come home from work.

Things must have been pretty bad in Ireland if my mother considered this an improvement.

The biggest difference in our situations is our husbands. I’ve known Daniel forever. He grew up across the road in a house just like mine, with parents just like mine. With tragedy just like mine. It was inevitable, and neither of us ever wanted to fight it. My father had his good points, but he grew harder and angrier with age, and he liked the bottle. Our home was never quiet, and none of us ever felt completely safe.

There is anger in Daniel, too, but not the kind that would ever turn toward his family. And both of us were so marked by our fathers’ love of liquor that we agreed we would never have it in our home.

Being in a place like France, there must be drink everywhere. I wonder if he still doesn’t drink, or if fighting has changed him. I can’t imagine his life over there; it was unimaginable enough in the mines, which have always terrified me.

A horn honks and I look up to see another car, too close to ours. While I’ve been woolgathering, dreaming of Daniel, we’ve arrived. The streets are rough but soon we turn onto a wide avenue that runs straight for blocks. We slow at a corner to let a streetcar pass and for a moment I think we have reached the hotel, but it is the train station, which is bigger than any place I’ve ever been, a five-story building with a clock face set above enormous pillars.

“This is the Searle Hotel, ladies,” the driver says from the front seat, as he pulls to the curb.

Ladies! I wonder how much they had to pay him to call us that.

“There’s Claire, waiting for us.” Mama straightens her hat and tugs on gloves that normally are worn only on Sundays. “Doesn’t she look pretty!”

“Claire always looks pretty.” Slighter than me, blonder than me, she is dressed in a dark blue suit with a froth of ruffles at the neck. Her pale hair is no longer in its familiar Gibson girl style but worn in a smooth band across her head, with the rest coiled in a complicated knot below the brim of her hat. She looks like something from a magazine.

If she’s changed this much before she’s married, moving to Philadelphia will take her from us completely.

***

And there you have it - the beginning of their time together, and the beginning of their separation. Read more by signing up here.